{"id":10395,"date":"2024-03-02T16:12:47","date_gmt":"2024-03-02T16:12:47","guid":{"rendered":"http:\/\/www.flamencofestival.org\/?p=10395"},"modified":"2024-04-29T07:40:54","modified_gmt":"2024-04-29T07:40:54","slug":"las-otras-dos-citas-de-flamenco-festival-nueva-york-la-pintura-de-sorolla-y-la-guitarra-de-rafael-riqueni-en-la-hispanic-society-of-america-o-el-simposio-sobre-paco-de-lucia","status":"publish","type":"post","link":"https:\/\/archive.flamencofestival.org\/en\/2024\/03\/02\/the-other-two-highlights-of-flamenco-festival-new-york-sorollas-painting-and-rafael-riquenis-guitar-at-the-hispanic-society-of-america-or-the-symposium-on-paco-de-lucia\/","title":{"rendered":"The other two highlights of Flamenco Festival New York: Sorolla&#8217;s painting and Alejandro Hurtado&#8217;s guitar at the Hispanic Society of America, or the Symposium on Paco de Luc\u00eda"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Art and flamenco will also come together in this edition of Flamenco Festival New York through a new collaboration, which continues to expand ties in the city and will materialize in a unique proposal focusing on the work of the Valencian painter Joaqu\u00edn Sorolla y Bastida.<\/p>\n","protected":false},"author":2,"featured_media":10398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[3],"tags":[],"class_list":["post-10395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/posts\/10395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/comments?post=10395"}],"version-history":[{"count":0,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/posts\/10395\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/media\/10398"}],"wp:attachment":[{"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/media?parent=10395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/categories?post=10395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.flamencofestival.org\/en\/wp-json\/wp\/v2\/tags?post=10395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}